Artists on the Rise?- Nicholas Rosado and his band “The Reboots!”

So, when we were asked to interview an artist, I was excited. I had a good friend of mine who just so happened to be a musician. He was self taught, and had an amazing ear for music. One thing he cannot do, however, is read sheet music. But for someone in a band, that’s not a real big issue. When I sat down with him I wanted to figure more how being in a band is different, and yet similar to being a classical musician. However, I still wanted to focus on his experiences with his band and how they do what they love and balance life. Here is the interview of Nicholas Rosado, the guitarist and second vocalist for “The Reboots”.

What is the name of your band and your members?

Our band name is “The Reboots!”. And currently the concrete members of the band are Alex Miranda, and myself, Nicholas Rosado. We both play guitar and sing for the band. We also have a lot of friends and people we know come on for specific performances or recordings.

Oh wow, and well I know you both met at High Tech High School, but what’s the story behind that?

Yeah, we all met in high school, I wanted to do a performance for a school show (I had just transferred into High Tech in my junior year) and I had seen him perform earlier in a prior school performance. I already talked to him occasionally because he was in my English class, so I asked him if he wanted to help me perform a song for the upcoming school show. He said yes, helped me set up a performance, and from there on in, I became involved in the music scene in my school and I was able to meet a lot of people who were very helpful- we’re all thankful for that. From then on we decided to hang out more and play some more music, and eventually the idea of getting a group of people to play together and make original music- the band- formed. And from then on we’ve been together.

See I never knew that. So what kind of music do you guys make?

We play all sorts of genres, we try to keep our minds open. We’ve written songs that we consider range all the way from indie to punk rock to reggae. Primarily however, most of our songs would probably be considered Alternative/Indie Rock.

So, like, do you have a musical idol that pushed you to make that kind of music, and could you explain why?

This is difficult, but if I had to choose one I’d have to say Kurt Cobain was the guy who really made me pick up guitar again. Listening to his guitar riffs and just how raw and uninhibited his emotion was really struck me. His guitar was as much of a voice as his own mouth was, and together they could really scream. His (what many people would call “unconventional”) method of playing guitar was really powerful to me- how it was complicated but not complicated at the same time, how it broke away from traditional scales and expectations, and just how LOUD and emotional it all was. His style basically said to me “do whatever the f**K you want.” It made me realize a new dynamic to music I had not realized before. In terms of emotions, it was like his songs played a sort of emotional outlet for me, and myself, in search of something of the same, really clinged on to that. The first song I ever taught myself was a Nirvana song.

Do you play any other instrument other than guitar? 

Primarily I play guitar, but I also can play bass, drums, and keyboard, I sing as well.

When and how did you ever teach yourself how to play the guitar though?

I first started out playing guitar when I was about 9, I played for a little less than a year and took lessons with a wonderful guy named Manuel. He couldn’t teach me after about a year and when he couldn’t teach me I stopped playing. I stopped playing for about 6 years. Then, when I was between 14 and 15, I started listening to more Rock n’ Roll, watching live performances, and listening to how the musicians actually made their music. When I started listening more and more, I asked myself “Why the hell did I stop playing guitar?” and from then on I began playing guitar seriously. Only thing is, this time I was all on my own. However, I taught myself more guitar in a month than I learned that whole year of lessons I did when I was younger. Not because Manuel was a bad teacher (he was an amazing teacher), but because now, I was completely invested in what I was doing and I fell in love with it. I started by teaching myself how to play along to some songs I really liked by watching other people play it. The learning evolved from simple songs to more and more complicated things as time went on, and here I am today, still learning, still practicing.

Wow wow good for you! That’s dedication. But how do you like the experience of being part of a band?

It’s difficult, and difficult to describe. It’s perhaps, “one of the hardest group projects one can do”. Being in a band is stressful, but fun and well rewarding. Especially since my bandmates are friends. When you are in a band you really need a synergy between everybody. Everyone in the band could be super great musicians but if you don’t have any synergy between people in the band you will sound terrible. People dance to music- but music itself is a dance. And just like dancing with a partner, the more you play with the same people, the better you get at knowing each others strengths and weaknesses, and evening it out on the field. It’s a team effort with us, and we strive to push each other towards improvement no matter what, through the bad times and the good times. For us, music really reflects a lot of our emotions and character, and things that affect us in our life, affects our music as well.

That’s great guys, so I’m guessing this, “synergy” helps “The Reboots!” play actual gigs?

Yes, we’ve played several gigs, and it does help a lot. We’ve played at bars, festivals, school shows, and on the street in “garage gigs”, where we play songs with an open garage door and just let people watch us as they go down the street. Sometimes people stop by and come to watch us.

How do those usually go?

There’s good gigs, bad gigs, alright gigs, and everything in between. It’s tough to judge whether something went objectively right or wrong- but there’s always an adrenaline rush to performance that sometimes turns to a level of comfort once things get rolling. We’re still quite new to songwriting, covering, and performance. It’s almost like riding on a really fun roller coaster that you want to ride on again and again and again. Feeding off of the audience’s reaction is really great.

Ok, so what is your favorite performance to date?

My favorite performance was probably our performance for a Jersey City Festival on Grove Street. Simply because it was probably our largest crowd we had ever played, getting everything set up for this show in particular was extremely stressful- but once we got things rolling seeing little kids dance to our original song and having such a crowd applaud us and ask for an encore was a really really uplifting and sort of  “high” feeling.

In the midst of all the actual work/gigs and practice, do you have chill jam sessions where you just unwind?

Yes, a lot of times really, that’s how we even make some of our songs.

Do they do anything else, other then help make songs, those jam sessions?

They go really well, they’re extremely fun for us and our improvisation has improved immensely because of it. Sometimes we do this exercise where we play a certain instrument for a set amount of time and then we switch instruments with all our band members so that we are all playing different instruments, and we do this over and over again until we rotate throughout the whole band.

Ooo, so, do you have a favorite bandmate? And who if so?

Well, that’s a secret.

Aww, boo, you’re no fun. Well, do you ever have any issues with any bandmates?

Well, that’s also a secret. Issues arise up often in regards to lots of things. Song direction, lyric selection, how we should play this, should we play that? How should we produce this? How should the settings be for this? Hell, even band direction as a whole. However we usually deal with it rationally and in a civil manner. If there’s a division, usually we take votes. On the occasion that a full on argument begins, we usually discuss it out in the open and, once things calm down, address whatever situation may have happened. We try to be completely and utterly honest with each other and not leave anything left unsaid. We’ve had people leave the band because they had other interests and we’ve had to drop some people who wouldn’t show up to practice or would neglect things that as a result, would hold us back as a band.

Does all that take a toll on your love of music?

I love playing music, I will admit- playing the same song for 5 hours straight just to get that song down or that perfect recording done can be really tiresome, but that’s part of the process. In the end, songs can evolve from what it begins as, and playing it allows you to see how you can mold it in clearer ways for us. I don’t mind playing the same song everyday, especially if it makes other people happy.

Ok, because I already know the answer, but love it, I have to ask, do “The Reboots” have a logo? And how did you guys ever come up with that?

Yes, it is a old fat television screen with our name in the middle like if it was your grandpops favorite evening broadcast. The antennas on top of the television are eyeballs, one is open normally and the other one is dazed like a swirled lollipop. Funnily enough, it was a joke for a project for my Rock n’ Roll Ethnomusicology Class, we had to come up with an idea for a band, logo, and name. I drew it up on a poster board with the name “The Reboots!” In a sort of ironic way because it sounded cheesy, and implied we played some sort of music in the past. I showed Alex my drawing as a joke because I thought it was so sh*tty and he liked it almost immediately- we started showing other people the logo and name and although it was admittedly eccentric, and kinda cheesy, it was oddly charming. From that day on we were officially “The Reboots!” And we used that logo for our band ever since.

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So, that was just a short little peak inside Nick’s band, “The Reboots!” Although they have not released anything, if you ever want to contact them for booking them for a gig, let us know! That will be greatly appreciated from them. And we can see, being in a band offers a lot more freedom for creativity and technicalities than classical musicians, but it takes just the same amount of time, practice and dedication. “The Reboots!” hope to make it big one day, but for now they do what they love, with people they can have fun with. And I think that is the best part of being in a band.

 

Willow: The Most Calming Folk Song Ever

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Exam season just finished, and yet, somehow I am more stressed than ever. Especially now as we are getting our grades back and warning letters are being sent out. It really doesn’t help lessen the stress students feel regularly. To stop myself from spiraling down a dark hole, considering how I am far from the grades I want to have, I listen to a lot more calming and folksy music. Though folk music gets a bad reputation, there are some songs that really help mellow a person out, and is pretty to listen to as well. A personal favorite artist of mine is Jasmine Thompson.

See the source imageJasmine Thompson is known for her emotional and being full of feeling. Her voice sounds pure and even for a 17 year old, she sings with years of experience and talent. Her mother is Chinese and her father is English, and she grew up living in a low-income household in Central London. She turned to music in rough times, as her father fell to alcoholism, splitting the marriage. Although her parents were not musical, her brother helped her discover her sound and how to play piano and bass. She even ended up attending a performing arts high school. Since then, she’s made a name for herself on YouTube at only 13 years old. Jasmine has worked with high-profile artists such as Meghan Trainor, Julia Michaels, and more. Other people also praised her vocal talents, such as Aviici and Passenger. Nowadays, she sings covers and her own material and has loyal following. In 2013, she had released her first EP, titled “Under the Willow Tree.” This song has some great sounds and lyrics that just feel like a nice warm hug. You can listen to the song below.

“Willow” is my favorite song of hers, as she has a great airy, sharp, and angelic quality to her voice in this song. She accents and articulates her lyrics, which gives it a more clear and folksy sound. The song is in the tempo of a 3/4 waltz, and she wrote the song based on a fairytale by Hans Christian Anderson named, “Under the Willow Tree.” The song has her and the piano with synthesizers and some sort of drum shaker. However, the real star are her vocals. Somehow, she manages to be light and breezy while she spins this tale of a man and a women and a willow. The song being in a 3/4 waltz, mixed with her heavenly vocals, with the synthesizers, create a mystical and vivid image of this fairytale.

The lyrics are also a huge component of the song.  The song discusses a man and his wife’s journey, people hypothesize, to having a child. The lyrics of the first verse below describe how they “plant a seed” which is the seed of  a child.

He and his wife, once lived happily
Planted a seed, that grew through the reeds

The story continues with them “craving” names into the child, otherwise known as naming a child. It also mentions how if the husband had said something out loud, they would have been able to rekindle the love. This could be about comforting the wife about the baby miscarrying.

Mr. & Mrs., dreamed of a willow
Carving their names, into their willow
If he had spoken, love would return
Spoken inside, too soft to be heard

The next verse discusses how the there should be hope the sun always comes and they will be able to find their “willow,” aka child.

Somewhere the timing will all come together
The mishaps will turn into sunny Decembers
The lovers will be able to find their willow

The repeated verse of “Summers and winters, through snowy Decembers/Sat by the water close to the embers/Missing out the lives that they once had before” explains how they gave up their personal lives for this child. The chorus “I wouldn’t leave you/I would hold you/When the last day comes/What if you need me/Won’t you hold me/On the last day, our last day,” describes how their love for their child and for one another will never fade away.

The song transports you away from your petty issues and stressful situations. It also spins a tale of a married couples parenthood journey. It lets you slip into a world of whimsy and a heavenly soothing voice serenading you. You really should check her other music out on YouTube. Jasmine Thompson is an amazing vocalist and songwriter.

Pray for Panic! A Deep Dive into Urie’s Mind

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Panic! At the Disco,” has been a very thought provoking band since their inception in 2004. Since then, they have gathered a cult following of young females who obsess over the band’s frontrunner, Brendon Urie. In the beginning, there was also Ryan Ross (guitar), Spencer Smith (drums), and Brent Wilson (bassist). Slowly, for various reasons, they began to quit the band one by one. In 2015, Urie became the only official member. However, Brendon has been able to keep the band’s name alive and fresh, with new songs, and the hidden storyline of certain songs, especially as he pours his whole self into the music, and almost each track in his 2018 album. Urie gives us a peek into the mind of a musician dealing with serious issues.

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Panic! At the Disco was hailed as one of the emo pop greats of the 2000s. Throughout the times, their music has ranged from various genres,  such as electronica, rock, dance, punk, and indie/emo pop.  With Urie being the last surviving member, the band and its sound rests on his shoulders. And boy, does he deliver! The newest album, “Pray for the Wicked,” keeps with the Panic! creedo of a mix of different musical styles, in a way that somehow always works and still delivers a message.

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The first song in the album, Pray for the Wicked, starts off with a bang, almost literally. The track is called, “(Fuck a) Silver Lining” and has a catchy, fast-paced, upbeat tune, and relatively simple lyrics. However, it fits into this album’s deeper meaning of Urie’s issues with the superstardom lifestyle. The album begins with this notion that nothing is ever enough, and that people should reach past the silver lining, and could be interpreted as Urie’s never ending thirst for satisfaction. The lyrics “It’s just cherries, cherries. Everything is cherries on top” refers to how in stardom, anything and everything you do adds to your fame, whether it be bad or good.

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The second song in the album is “Say Amen (Saturday Night)” is wildly considered to be the prequel to a trilogy of a hidden storyline throughout Panic!’s inception. “Say Amen” is said to explain the mythology of the story. An extremely catchy song, with a music video to match, it is easily the favorite out of the whole album, also inserting the title of the album in the lyrics, I pray for the wicked on the weekend“. The lyrics tell Brendon’s story of being bored with the people he hangs around with, and he has been waiting for someone to come and take him away, but no one came, and that everyone around him has changed. That relates to how as he grew, people changed their personalities and he wishes he could just disappear with true friends, until he finally says he can’t change into a person I don’t wanna be.” The, mama say another amen,” harkens back to his childhood hero, and his time as a Mormon. The story plot itself envisions a young successful man waiting for his date and then under attack by armed men, to fend them all off, only to succumb to betrayal by his date, and in the last scene we see her take a certain key- also discussed as a news report in the video-and then you hear the sound of a heartbeat, that lead many fans to believe it then goes into “This is Gospel,” where the heartbeats are heard in the beginning of the story. Fans believe “The Emperor’s New Clothes” is the last in the trilogy, at least for now. And we fans can’t wait for the next installment. To check out the story line so far, watch the playlist below:

https://www.youtube.com/playlist?list=PLn2UCOlAVUq1mrL3kt_o8t8eTwWh5eZZ9

Following “Say Amen,” “Hey Look Ma, I made it” also features Urie mentioning his mother in his music. Either done consciously as a thank you note to his mother, or a stylistic choice, most of the music on this album has references to his mother. This song’s music video was trippy, with the use of a puppet to depict Brendon’s rise and fall in the industry. This is a very emotional track, as we literally hear and see his tumultuous journey. He discusses how he was used by his label to create sellable songs, fake and true friends, and he again references his history as a Mormon, with “/In the garden of evil/I’m gonna be the greatest/In a golden cathedral/I’ll be praying for the faithless/And if you lose, boo hoo.” The video itself shows the puppet slowly diving into drugs, partying, sex, and alcohol, visibly looking more beaten up and unwell, and the angry side of him while he was drunk and high, where he fights the paparazzi, who make it into a story. In the end, he gathers himself and rises once more, but in the end he still was tossed aside in a pile of puppets, supposedly by the label or society. This track was a real look into his life, mental health, and the music industry, and still managed to have a happy upbeat and catchy tune.

This next song turns the tune right around, being more hopeful and looking ahead. It’s titled “High Hopes” and follows how he keeps shooting for the stars, and how even in his darkest days, he kept looking forward. This track, more than the others, is a love letter to his mother, as she is mentioned helping to raise him up, and tell him to keep going and hold his head high and “Burn your biographies/Rewrite your history.” It is a fitting follow-up to the heavy, “Hey Look Ma, I made it.” It also helps that Urie’s vocals really shine through and is a great song to hype you up before a big exam or presentation or almost any huge event.

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Roaring 20s” starts to turn back into Urie’s dark days, as it literally discusses his twenties, and the drugs he took during those times. This song especially calls out the industry, with lyrics such as, “Broadway is black like a sinkhole//Strange situations, I get anxious/Maybe I’ll smile a bit, maybe the opposite/But pray that they don’t call me thankless//Oscars and Emmy’s and Grammy’s/Everyone here is a trophy.” He denounces Broadway and Award Shows, and how he has to act around fans, even though he feels uncomfortable, but still wants them to like him. The song itself is reminiscent of “Death of A Bachelor,” in the sense of Brendon’s unique talent of creating era-stylized music and really captures the spirit of the 1920s.

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Moving on, the next song, “Dancing’s Not a Crime,” is a bit of a departure from the album, as it is a very dancy tune. However, some theorize it was meant for his wife, Sarah Orzechowski. That is due to the suggestive lyrics of ,”Dancing, dancing, dancing’s not a crime/Unless you do it without me,” essentially saying that if this person dances without him, they are committing a crime. Following this song is “One of the Drunks” which delves back into the world of alcohol and is more serious and on a lower note, both musically and emotionally, and mentions religion as he references the Holy Spirit. From there, “The Overpass,” “King of the Clouds,” and “Old Fashioned,” all discuss the escape he craves, induced by either sex, drugs, or drinking, in that order. They also all showcase different aspects of his vocal range, with a vast range going from high to low, then somewhat of a fast paced lyrical rap, and then a more modern, synth based beat.

Finally, the last song is a love letter to LA, a ballad for his dear town. It discusses how he felt when he was in LA and how there are “stars are on the ground” literally talking about the Hollywood Walk of Fame. He also mentions the power of LA and how you can feel the riches around you, and how everyone there is also a dreamer like himself. This song was a good end to this rollercoaster of an album, with him spilling his soul out into a single album. As a fan of Panic!, I absolutely love this album and feel honored he chose to share his story. I hope he keeps creating great music in the name of Panic! At the Disco.

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Storytelling: Has a Dying Musical Style Paved the Way for Musical Activism?

I just love storytelling. I write music to tell stories. So when I’m done writing a song, I take it and go, ‘Okay. How can I interpret these lyrics differently?’ I love taking lyrics that were so close to me at a certain point in my life and then revamping them. I always want to take things to the next level.Hayley Kiyoko (American singer, songwriter, actress, dancer, and director)

Trends always come back around…

In all of today’s media forms, an old popular trend seems to always make a comeback. Vintage-style fashion became a big thing with celebrities, like the Kardashians with tiny sunglasses and Selena Gomez with 80s era ruffles and sequins. Stealing looks from the 1990s and other bygone eras has become a standard 2018 fashion choice. And honestly, I personally love the vintage 50s look, and I can appreciate a stellar pair of bell-bottom jeans. Meanwhile, video game producers turn back to pixelated games, and art typically varies between past and present styles. For music, the old way of actually telling a real story, either by the lyrics or the visuals, returns full force, often addressing multiple contemporary issues.

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In the past, the majority of music focused on the world around the artist, or actually conveyed a storyline. Take Chuck Berry for example. One of the most influential rock and roll performers in history. His music transcended racial bigotry of the 1950s to reach the top charts for being purely relatable entertainment in the form of lyrical mastery and catchy tunes. Johnny B. Goode” has often been stated to be about Berry’s early enthusiasm in the spotlight and the feedback he received from the world.

However music like this and artists like Berry, The Andrews Sisters (a majorly successful war-time female group #GRLPWR), and The Temptations (a powerhouse Motown 60s group), have become part of days long past. And although people like me still listen to these legendary talents, people have since moved on. Since the late 1980s to around 2010, music consisted of repetitive lyrics, lack of a rocking beat, and no story whatsoever, or worse, a story of sexual escapades or thoughts, with zero substance.

https://www.youtube.com/watch?v=ZFo8-JqzSCM

However the genre of hip-hop and rap has always had artists who would discuss current issues in their music and be very vocal in political issues. For one, Kendrick Lamar tackles many issues in his music.  Kendrick Lamar had previously visited to our school in 2015. He recently released his song, “Sit Down, Be Humble” in 2017. The lyrics relate heavily to today’s world and Lamar has been hailed as a modern day poet for his excellent lyricism and ability to tell a very contemporary story in his music.

LYRICS: …I’m so fuckin’ sick and tired of the Photoshop
Show me somethin’ natural like afro on Richard Pryor
Show me somethin’ natural like ass with some stretchmarks
Still will take you down right on your mama’s couch in Polo socks, ay…

Those lyrics address a huge issue in media and the beauty standard for both men and women. So many people feel insecure due to societal pressure to conform to Western beauty standards of being thin, white, perfect skin free of blemishes, tall, and yet curvy for women and muscular for men. And I can say with almost all certainty, nobody in this massive world feels they encompass that beauty standard. People like Kendrick and Hayley Kiyoko, who advocate for the ones who society ignores, the “unattractive,” the LGBTQIA+ community, POCs, and everyone else in between embody the spirit of a musical storyteller, as they tell the story of today.

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Another artist, Donald Glover, aka Childish Gambino , tackles political issues, such as gun control and Black Lives Matter, with his release of This is America.” Gun Control and Black Lives Matter movements have become more active in recent years, due to numerous amounts of mass shootings, and civil discourse between unarmed African American peoples and armed officials. Both Childish Gambino and Kendrick Lamar have a huge outreach and give back as much as they can around the world, and use their platform for good.

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Even across the seas, music storytellers relate the state of the world around them, like BTS and Bollywood. They tell of both the good and bad in the world, and though the time of tribal storytelling with music has long past, humans still attempt to keep using music to tell the story of humanity. So, has storytelling activism come back? I truly believe it has, and hopefully it’s here to stay.